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Gospelkeys Urban Pro 600 Chord Pdf 89 \/\/TOP\\\\



GospelKeys Urban Pro 600 Chord PDF 89: The Ultimate Guide to Playing Amazing Gospel Music




If you want to learn how to play gospel music like a pro, you need to master the GospelKeys Urban Pro 600 Chord. This is a powerful chord system that allows you to create rich and complex sounds with just a few simple movements. In this article, you will learn what is the GospelKeys Urban Pro 600 Chord, how to use it in different situations, and where to get the PDF 89 course that will teach you everything you need to know.




gospelkeys urban pro 600 chord pdf 89



What is the GospelKeys Urban Pro 600 Chord?




The GospelKeys Urban Pro 600 Chord is a chord system that was developed by Jermaine Griggs, a renowned gospel musician and teacher. He created this system to help gospel players achieve a professional sound without having to memorize hundreds of chords and progressions. The GospelKeys Urban Pro 600 Chord is based on the concept of "polychords", which are chords that are made up of two or more smaller chords stacked on top of each other. By using polychords, you can create rich and full sounds with just a few notes.


The GospelKeys Urban Pro 600 Chord consists of six basic polychords that can be used in any key and any style of gospel music. These polychords are:


  • The Major Polychord: This is a combination of a major triad and a major seventh chord. For example, C major polychord is C-E-G-B.



  • The Minor Polychord: This is a combination of a minor triad and a minor seventh chord. For example, C minor polychord is C-Eb-G-Bb.



  • The Dominant Polychord: This is a combination of a major triad and a dominant seventh chord. For example, C dominant polychord is C-E-G-Bb.



  • The Diminished Polychord: This is a combination of a diminished triad and a diminished seventh chord. For example, C diminished polychord is C-Eb-Gb-Bbb.



  • The Augmented Polychord: This is a combination of an augmented triad and an augmented seventh chord. For example, C augmented polychord is C-E-G#-B#.



  • The Suspended Polychord: This is a combination of a suspended fourth triad and a suspended seventh chord. For example, C suspended polychord is C-F-G-Bb.



By learning these six polychords, you can play any gospel song with ease and confidence.


How to Use the GospelKeys Urban Pro 600 Chord in Different Situations?




One of the advantages of the GospelKeys Urban Pro 600 Chord is that it can be used in different situations and contexts. You can use it for playing melodies, harmonies, fills, runs, transitions, and more. Here are some tips on how to use the GospelKeys Urban Pro 600 Chord in different situations:


  • For playing melodies: You can use the polychords as they are or add some notes to create more variations. For example, if you want to play the melody of "Amazing Grace" in the key of C, you can use the following polychords: C major (C-E-G-B), G dominant (G-B-D-F), F major (F-A-C-E), A minor (A-C-E-G), D dominant (D-F#-A-C), G dominant (G-B-D-F), and C major (C-E-G-B). You can also add some notes like D or F# to the C major polychord, or Bb or Db to the G dominant polychord, to create more color and interest.



  • For playing harmonies: You can use the polychords as they are or invert them to create different voicings. For example, if you want to play the harmony of "Amazing Grace" in the key of C, you can use the same polychords as above but invert them in different ways. For example, you can play C major (C-E-G-B) as E-G-B-C or G-B-C-E, or G dominant (G-B-D-F) as B-D-F-G or D-F-G-B. You can also add some notes like A or Eb to the C major polychord, or E or Ab to the G dominant polychord, to create more tension and resolution.



  • For playing fills: You can use the polychords as they are or break them up into smaller chords or arpeggios. For example, if you want to play a fill between C major and G dominant in the key of C, you can use the following polychords: C major (C-E-G-B), D diminished (D-F-Ab-Cb), E minor (E-G-B-D), F augmented (F-A-C#-E#), G dominant (G-B-D-F). You can also break them up into smaller chords like C-E-G or E-G-B for C major, or D-F-Ab or F-Ab-Cb for D diminished, or E-G-B or G-B-D for E minor, etc. You can also arpeggiate them by playing one note at a time like C-E-G-B or B-G-E-C for C major, etc.



  • For playing runs: You can use the polychords as they are or modify them with chromatic notes or passing tones. For example, if you want to play a run from C major to G dominant in the key of C, you can use the following polychords: C major (C-E-G-B), Db augmented (Db-F-A#-D#), D minor (D-F-A-C), Eb diminished (Eb-Gb-A-Cb), E augmented (E-G#-B#-E#), F minor (F-Ab-C-Eb), F# diminished (F#-A-C-D), G dominant (G-B-D-F). You can also modify them with chromatic notes like B# or D# for Db augmented, or A# or D for Eb diminished, etc. You can also use passing tones like D or F for C major, or E or Ab for G dominant, etc.



For playing transitions: You can use the polychords as they are or alter them with substitutions or alterations. For example, if you want to play a transition from C major to A minor in the key of C, you can use the following polychords: C major (C-E-G-B), B dominant (B-D#-F#-A), A minor (A-C-E-G). You can also alter them with substitutions like Bb dominant (Bb-D-F-Ab) for B dominant, d282676c82


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